Friday, April 12, 2013

Ukio-e and it's Reflections On the Contemporary Skin Canvas




Ukiyo-e   is a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan.
Usually the word ukiyo is literally translated as "floating world" in English, referring to a conception of an evanescent world, impermanent, fleeting beauty and a realm of entertainments (kabuki, courtesans, geisha) divorced from the responsibilities of the mundane, everyday world; "pictures of the floating world", i.e. ukiyo-e, are considered a genre unto themselves.
The contemporary novelist Asai Ryōi, in his Ukiyo monogatari  provides some insight into the concept of the floating world:
... Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maple leaves; singing songs, drinking wine, diverting ourselves in just floating, floating; ... refusing to be disheartened, like a gourd floating along with the river current: this is what we call the floating world...[1]
The art form rose to great popularity in the metropolitan culture of Edo (Tokyo) during the second half of the 17th century, originating with the single-color works of Hishikawa Moronobu in the 1670s.

Irezumi is a Japanese word that refers to the insertion of ink under the skin to leave a permanent, usually decorative mark; a form of tattooing.

SHIGE  (Shigenori Iwasaki)
March 1970 Born in Hiroshima
After being a mechanic of Harley‐Davidson in Yokohama, taught himself how to tattoo since 1995 and pursues original Japanese Style with traditional Japanese style underneath.
Shige - Yello Blaze Tattoo