Drawing on this narrative, Owusu explores the parallels and differences of merging cultures, using the double-sided trickster character of Kwaku Ananse, halfspider and half-man, as a guiding metaphor.
In Anancy, as in her other films, Owusu blends lush, colorful imagery with diverse musical accompaniment. She has investigated cross-cultural pollination in other ways, for instance through examinations of beauty practices and their relationship to racial politics. Her cinematic vision encompasses the increasing ubiquity and lingering unease of transnational identity.
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