"There is an ongoing invisibility and even erasure of talented black
intellectuals, artists, writers and scholars in the Canadian academy.
But we also need to acknowledge and challenge the dominant lens through
which this invisibility tends to be examined. Contrary to popular
belief, not all issues, objects, events and materials of relevance to
race, racism, colonialism, slavery and the Black Diaspora can be
situated within or examined from the perspective of social science
disciplines such as politics, sociology, psychology or law. Art and
visual culture more broadly were and continue to be central to western
programs of slavery, colonialism and ongoing conditions of racial
oppression and marginalization. Monarchs, colonial administrators and
European citizens had to be convinced of the rightness of the colonial
project and the morality and economic viability of empire building."
-Charmaine Nelson
Charmiane is the only black female art historian in Canada, teaching Black Diasporic Art at McGill University. I find this alarming and infuriating, that there is a lack of accessibility to Black History and Black Art History studies in Canadian universities. Why is this so?
The neglect of Afro-American art, history
and distortion of the facts concerning
Negroes in most history books, is the deprivation of a heritage, that plays a valuable role in Canadian and American Culture. A knowledge of history is crucial if we want an understanding of the past in relationship to current discourse. Historical ignorance breeds contemporary
ignorance!
Here is a link to Charmiane speaking about the presence or lack there of African representation at the UAAC Universities Art Association of Canada annual convention and the American equivalent CAA College Art Association.
http://www.congress2013.ca/blog/resisting-invisibility-black-faculty-art-and-art-history-canada
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